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Is Pandora getting “boring”?

So is the decline in satisfaction shown by Bridge Ratings for folks who have listened to Pandora for a long time a sign of "fatigue or boredom" as my good friend Dave Van Dyke suggests?

Pandorasatisfaction
 
Maybe.  But maybe not.

1.  Peak satisfaction naturally declines for most products after using them for a while.  That, after all, is why we replace things that aren't broken.  This is hardly unique to Pandora.

2.  All Pandora "users" are not created equal, just as all your station's listeners are unequal.  How do we know that the longer-term users are as "heavy" as the newer ones?

3.  We assume that this pattern is not shown in our stations, but in general it is.  Don't you think fans are more passionate about a station that's new than one which isn't?  Of course they are.  In format change situations we always – ALWAYS – assume that a successful station will settle 20% below the ratings at its peak.  And that's the successful ones.  We also know about stations who switch formats three years after a booming opening act because the bottom falls out.

4.  The odd figure isn't the 50% satisfaction after three years, it's the 90% satisfaction in less than six months.  That's insane and patently unsustainable.  Indeed, 50% of your audience being characterized as rabid fans is far better than most products will ever do.  Tell me, would 50% of your cume rate themselves "highly satisfied" with your station?  Speaking as someone who sees these numbers, my educated guess would be "no."

5.  "Satisfaction" is an attitudinal behavior that is not the same as measuring usage.  What are the real world statistics on usage among short-term and long-term users?  Do long-time fans listen less than short-time ones?  Pandora knows these answers, but surveys such as this do not.

6.  Don't discount the effect of Pandora's recent cap on heavy usage designed to motivate users to pay for the service.  That is likely to strike long-time users as more distasteful than short-time ones and reflect in their scores of "satisfaction."

7.  As much as extreme satisfaction is down over time, note that extreme DISsatisfaction in not particularly high.

None of these points mean that the conclusion is incorrect, of course.  I am simply arguing that you should not assume it to be true.

I think when we see numbers like these we too often view what we hope to view rather than what might actually be in the numbers (or beyond their reach).

Just as we relish the foibles of the fabulous and wealthy, so do we relish the imperfections of radio's most highly publicized substitutes.

Throwing stones doesn't make our glass houses any more secure.

View Comments
  • George
    What tends to happen is that the bigger something gets, the less of a small club it becomes. The workers becomes more removed from the originators. Layers of bureaucracy are placed between the founders and those doing the work. They end up going through motions, following instructions, rather than carrying out the founder's original intent. That diminishes the quality of the product, and the customers notice. It happens at every company. Think of what happened to the music at Motown when Berry Gordy moved the company to LA, and then became less involved in the music. What does Motown music sound like now, since the company was sold?
    All of these internet companies will experience this.
  • Interesting side-note...
    I was listening to Slacker this weekend - one of the mellow channels - and I noticed that they seem to run the same Slacker promos on all channels regardless of tone or fit.
    This is a mistake, and it dovetails with George's point.
    Ignore history and you will be condemned to repeat it.
    And you can quote me on that.
  • George
    Here's the thing to remember. I started in radio as it was transitioning from AM to FM. Back then, at stations like WNEW-FM and KSAN-FM, we ran a lot fewer commercials than AM radio and were a lot less hit oriented. By the 80s, the AM sound had come to FM, and commercial loads were about the same. As the internet started, it sounded a lot like FM radio did in the late 60s. But we're already seeing a commercialization of the internet (someone mentioned MySpace), and it won't be long where internet radio and even Pandora will be indistinguishable from FM. None of that is any excuse not to make what you do on the radio the best it can be. But my point is that no one's free sample (as was the case with Pandora) lasts forever.
  • MUSCLE13
    Agreed Mark. Internet radio is here to stay and has been around since about 1996. There are hundreds of thousands of internet radio stations out there. It is just about the most fragmented media market that exists and has ZERO barrier to entry.
    It is also very questionable whether free internet radio will ever have a sustainable revenue and profit model. It hasn't created a good one yet since its 1996 birth.
    As for Pandora, my take is very much like MySpace it is having its wild run (which may be have already peaked) and there will be somebody else that comes along that becomes the next fad, and the market will get more and more fragmented to the point that nothing will ever truly win longterm on internet radio.
    The nature of radio on the net. Zero barrier to entry. Content thus becomes more and more important in radio and I really don't see any unique content in Pandora at all.
  • Well, first of all, this is not about Pandora, it's about the idea that substitutes to radio have appeal, and that appeal will not be a fad, no. Whether or not any one company sustains momentum is irrelevant to the larger question, just as the decline of MySpace does not represent the decline of social media - quite the contrary.
    Second, Virtuoso Piano is not in the same category as Pandora, except when we zoom out so far that the category called "music" includes almost everything.
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MRM President Mark Ramsey has worked with innumerable television and radio broadcasters over his career, including all the biggest names, from Clear Channel, CBS, Bonneville, Sirius XM...

Mark Ramsey