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“Fidelity” and the future of radio

No sooner do I write a post on radio as “good enough” when USA Today follows with a broader article on the same theme.

One of the key factors influencing the direction of technology in the future, says the article, is the element of “fidelity”:

Techies describe fidelity as the total experience of something. Seeing a movie in a packed theater, with its wide screen and the social aspect of a crowd, is a higher-fidelity experience than watching a movie on a home system. Seeing a movie at home is, in turn, a greater-fidelity experience than viewing a movie on a cellphone.

In music, a concert is higher fidelity than a CD playing on a home stereo, which is higher fidelity than an MP3 player.

But it’s not just about fidelity, it’s also about the interest of consumers to swap fidelity for what’s convenient:

“Consumers began to vote in favor of increased control over and customization of media, and have consistently proven they’re willing to sacrifice fidelity to get it,” says Trip Hawkins, who founded mobile-game maker Digital Chocolate based on that premise.

What is it that determines whether consumers will trade fidelity for convenience? It depends on the product and the need at that point in time. And it depends on how “good enough” the experience is.

SupermarketThis is, of course, a key issue for radio’s future.

Much attention is directed at satellite radio and HD radio. But as long as radio is “good enough” why “upgrade” the fidelity of your experience?

Satellite has long since abandoned the notion that satellite radio “sounds better” than the terrestrial variety. True or not (and it’s not), it doesn’t matter. Instead, satellite is packing in the kind of unique and exclusive programming (sports, Stern, Oprah, etc.) that is designed to change the nature of the experience, not simply increase its fidelity or richness.

But HD radio is different. It’s stripped down to a low cost, narrow music lane essence. Even the very name “HD radio” positions the product as a fidelity upgrade only. But if consumers vote for control and customization over fidelity, where does that leave HD?

CupboardChoice, after all, is definitely not the same thing as customization. And woe unto the technologists who assume otherwise.

If you want to understand the difference between choice and customization, check out the difference between your supermarket and your cupboard. HD radio (theoretically) is your supermarket. An iPod is your cupboard with earbuds.

Using the former as the latter is not the same experience. And it’s certainly not a better experience than the one listeners have right now, especially if you believe that for the vast majority of listeners radio is “good enough.”

The degree to which the radio industry fails to understand the dynamics of the listener experience and the motivations of the audience in a world of alternatives is appalling. If the powers-that-be are truly interested in the success of HD radio – rather than a hoped-for Wall Street buzz – then heed this advice: Remember the listener.

10 Comments;
  • Greg

    Mark, that was right on the money ! The HD Radio Alliance really doesn’t get it – but, they will get it, when Wi-Max puts Wi-Fi, and Internet Radio into automobiles in 2008, and Motorola puts iRadio on their cellular phones (e.g., Rokr E2), shortly.

  • http://www.donkeith.com Don Keith

    Mark, the supermarket/cupboard analogy may be the best I’ve ever heard! Fidelity may be one factor that makes someone choose a particular barnd of “beans” from all those available on the shelf, but there are so many other. Bottom line is that people choose what they like. If they like it enough, they’ll go to plenty of trouble to get it, but someone who provides a good product that is made conveniently available at a reasonable price, and then makes folks aware of its existence and attributes will do just fine.
    Wait a minute. Didn’t I just define “marketing?”

  • George

    From what you’re saying, no centralized, top-down form of audio entertainment conveyance allows listener customization. That includes internet radio. Correct?

  • http://www.mercradio.com Mark Ramsey

    I don’t think I said that at all, George.

  • George

    Help me understand then. Like most people in this industry, I’m a little slow. I’m trying how to allow listeners to customize my station. Give me a little hint.

  • jeff a.

    Is not the jury still out on alot of what HD will come up with for programming and sounding different from terrestial analog radio? A little to soon for judgement on this issue, dont you think?

  • http://www.mercradio.com Mark Ramsey

    George, I appreciate your comments, but I have a no-response-to-sarcasm policy.

  • http://www.mercradio.com Mark Ramsey

    Jeff, actually the jury isn’t out at all. The array of likely low-cost niche channels has been well established. That’s not all there is, but it’s most of what there is.
    Anything that is perceived to attract a big audience or to be expensive will be relegated to the distribution channel with all the listeners: regular radio.

  • George

    Here’s what the New York Times says about music consumers:
    “All told, music consumers are increasingly turning away from the traditional gatekeepers and looking instead to one another — to fellow fans, even those they’ve never met — to guide their choices. Before long, wireless Internet connections will let them chatter not only on desktops, but in cars and coffee shops, too. And radio conglomerates and MTV, used to being the most influential voices around, are beginning to wonder how to keep themselves heard.”
    http://www.nytimes.com/2006/09/03/arts/music/03leed.html?ref=arts

  • http://www.mercradio.com Mark Ramsey

    Great article, George. Note, too, that “music consumers” describe a particular type of radio listener, not all of them by any stretch.
    But they are many and they are influential!

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MRM President Mark Ramsey has worked with innumerable television and radio broadcasters over his career, including all the biggest names, from Clear Channel, CBS, Bonneville, Sirius XM...

Mark Ramsey